JAZZ SCENE U.S.A. #22
FIREHOUSE FIVE PLUS 2
I am in the process of moving my work on this platform to a new home that unites all of my jazz research under one roof. Thank you for looking at my work here at google blogger. I think you will find the new home more user friendly with links and tags to all of my research. This link will take you to this research at the new site where I have updated the links to Jazz Scene USA segments on YouTube.
MONDAY, NOVEMBER 12, 1962
CBS TELEVISION CITY, LOS ANGELES, CA
Commentary © James A. Harrod, Copyright Protected; All Rights Reserved
Steve Allen and Jimmie Baker wanted the demographic portrait of Jazz Scene USA to be fully representative of all styles of jazz that were being performed at the time that the series was being prepared for syndication. Although the majority of the jazz artists selected for the program were based in Los Angeles, the range of styles captured every nuance of jazz from traditional dixieland to hard bop with nods to soul, rhythm and blues, and a variety of jazz vocalists. The Firehouse Five Plus 2 filled the traditional and dixieland slot perfectly as their recordings had launched Les Koenig’s Good Time Jazz label that specialized in presenting this style of jazz on record.
Floyd Levin’s essay on the origins of the Firehouse Five Plus 2 opened the booklet that accompanied the four CD box set that Fantasy issued to commemorate the founding of the Good Time Jazz label.
© Floyd Levin, Fantasy Records, Concord Music Group
Ward Kimball’s animation artistry was employed extensively in ads and promotional material for the Firehouse Five Plus 2 as seen in this full page advertisement that appeared in the Record Changer magazine.
Oscar Brown, Jr. noted in his introductory remarks that one of the first professional engagements for the Firehouse Five Plus 2 was a New Year’s Eve gig at the Mocambo nightclub. The combo arrived for the gig in one of Kimball’s restored vintage fire engines.
Ward Kimball, leader, trombone; Danny Alguire, trumpet; Eddie Forrest, drums; Don Kinch, tuba; George Probert, soprano sax; Dick Roberts, banjo; Franklin Thomas, piano.
Production credits:
Host: Oscar Brown, Jr.
Executive Producer: Steve Allen
Producer: Jimmie Baker
Director: Steve Binder
Associate Producer: Penny Stewart
Associate Director: George Turpin
Technical Director: Dick Hall
Lighting Director: Leard Davis
Audio: Larry Eaton
Art Director: Robert Tyler Lee
Jazz Consultant: John Tynan
Title Films: Grant Velie
Cameras: Bob Dunn, Ed Chaney, Gorman Erickson, Pat Kenny
The photos that greatly enhance this presentation have been provided courtesy of CTSIMAGES. The author would like to extend a most heartfelt thanks to Cynthia Sesso, Licensing Administrator of the Cecil Charles Collection. Please note that these photos remain the property of Cecil Charles Collection and are used here with permission. Any inquiries regarding their use, commercial or otherwise, should be directed to: Cynthia Sesso at CTSIMAGES.
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